Sarahnopp had said that she was going to try to weave daily on tapestry in November.  I thought that was a really fine idea.  I pulled out my copper loom, and there on that loom was a warp with the cartoon from the first sample in Nancy Harvey's book that I had started a while ago and set aside.  I am not a very disciplined weaver so I tend to start and stop stuff.  This time I am going to try to work through the samples because I found while weaving Winter Sentinel that I do not have very good weaving skills when it comes to tapestry.  Hopefully having this thread out here I will be able to keep going and if more want to join the party that would be wonderful.

I have set the copper loom up within my Tissart tapestry loom.  I pulled the reed out and pushed the heddles aside so the loom sits in there nicely.  I like the height that it is at.  I found when weaving on portable looms that I do not like sitting at a table with the loom either leaning against it or laying on it.  This should work out well.  I also like having shedding devices, so I have a stick shuttle through one shed, and a really great shedding device that a weaving friend gave me that uses the string heddles from my mini inkle loom.  Now to hit the stash, find some wool, and go back to tapestry.

Harvey no 1

 

Comments

theresasc

why I bought the Tissart tapestry loom.  I do not like weaving on the copper loom!  I tried and I kept remembering how nice it was to weave on the big loom, so now I am dressing the Tissart with a sample at 8epi, 9" wide and almost 3 yards long.  That should give me plenty of practice room to go through the excerises in Harvey's book.

sarahnopp (not verified)

Nice! Thanks for starting the thread. This will be a big help. My grand plans for today: warp my Schacht loom, start the leading edge. And LOTS of sketching. I think I am going to be following along with the Tapestry Handbook, by Carol K. Russell. It is just a lovely visual resource. I hadn't actually realized it had "lessons" LOL. I will post a photo of my warped Schacht for proof!

endorph

hopefully some of our other tapestry weavers will join in the fun. With everything else I am doing I don't think I will participate but I look forward tos eeing what you all accomplish this month!

Erica J

As I do have a Dryad loom warped for tapestry, I should join in this thread. I started my last daily tapestry practice about this time last year, so it seems a good thing to turn back to it now. I am far more likely to keep to this than write 50,000 words this month!

Happy Tapestry Everyone,

Erica

tommye scanlin

I hope everyone who's eager to begin a daily bit of tapestry will have a rewarding time with it.  I've been doing what I've called "tapestry diary" daily practice since 2008 when I tackled one month then.  Since the start of 2009, I've continued to do this daily (with "fill-ins" for days I'm away) and am approaching the completion at the end of December of my sixth year-long one.  

If you haven't seen it, you might be interested to read the article that Janette Meetze did for the American Tapestry Alliance educational articles section of the website:  http://americantapestryalliance.org/education/educational-articles/the-tapestry-diary-its-about-time/

Here's to a joyous journey with a daily tapestry practice!

Tommye

pammersw

Erica J, what's your NaNoWriMo user name?  I'm pammersw. Slow and steady is my plan, with more on weekends.  I'm at 1,888 words right now.

theresasc

I warped the Tissart on Saturday, and wove the heading on Sunday, and today I have color starting to weave.  Things are working SO much better on the Tissart than the copper loom.  This is nothing against copper looms, they are wonderful for workshops, but now that I have this great big, beautiful tapestry loom and I dragged it up to the loft, I prefer to weave on it.

 

Erica - since your Dryad is all warped up, join us in the fun.  Just a few picks here and there and you will be done:-)

 

Artistry

I'll be joining you after our trip! I'm so glad you started this thread and idea, Thereasc! I did the Tapestry Diary idea , which Tommye talks about! And it was a wonderful experience . Now I want to work on larger projects. I'm ready to warp my large LeClerc Gobelin Tapestry loom, to either do a Michigan sunset OR the Glaciers of Patagonia. Will let you know. The first step will be to do some drawing will post some pix. I get home early Tuesday morning. Cathie

sally orgren

The Art is the Cloth - A Series of Reflections is coming to George School, Newtown, PA December 4th - February 11th, 2015 after it has been on display up in New Hampshire. I am hoping to catch the exhibit with some of my tapestry buddies maybe over the holiday break. 

From the catalog: "Curated by tapestry weaver Micala Sidore, the exhibition features a generation of contemporary, hand-woven tapestries by about 60 makers, both invited and selected, from Canada, Mexico and the United States."

And, I see many names we all know represented, including a  piece by Tommye!

I will have to check gallery times when December draws near, but it would be great to meet other tapestry enthusists on the same weekend to catch the exhibit after it opens. 

By the way, after PA, it will move Deerfield, MA, March 24 - May 1.

theresasc

Cathie, that is great that you will join us.  This was Sarahnopp's idea and I just started the thread.

 

I have color weaving on the Tissart.  I am working through some of the excersises in Harvey's book now.  I think since I have almost 3 yards on the loom that I am going to kind of hop around on the excersises (there is that lack of discipline rearing up again) in Harvey's and Russell's book.  I am doing a section of weft interlock right now.

Artistry

Hi Sarahknopp, great idea! Thereasc, I really love Russell's book , one reason being the illustrations. I really need to work on my joins ! I thought for the Guild tapestry study group this year I might work on that. I'm going through my pictures trying to decide which ones I want to combine for a tapestry. I will make a value drawing of it after I get the pieces of this puzzle put together. I really enjoy the design process.

theresasc

I switched to Russell's book - 3 wefts in the same shed, and managed to weave a couple of lazy lines.  Very cool effect, quite subtle.

 

Found a couple of issues with the loom.  One, I had looped an end around a heddle after threading and it was starting to pull very tight, so I had to pull it out and re-thread.  I tried to weave it back down the woven work but that did not work out very well, so I passed it down the back of the tapestry and tied it off.  This is sampling and learning so it will work out fine.  The other thing is that when I moved the loom up to the loft, I placed it against the railing so there is no wall backing it.  I found it hard to see where I was weaving, especially when paying very close attention to where I was bringing a weft out.  I hung a piece of colored paper behind the weaving and that has helped a lot.

Walkingquail

for daily tapestry. Except it won't be daily, too many other kinds of weaving to do for sales. I am currently making some mug rugs on my smaller tap loom. But also making scarves and dishtowels.

Artistry

My tapestry efforts today we're going through photos of Patagonia and selecting those which had elements that I liked. I'll take those over to Photoshop and start playing around seeing if I can get a composition I like which incorporates everything I want, hmmmm, I think this tap. May be a big one, yikes!

dvreegib

Hi!  I just joined Weavoluntion and am thrilled to find a group to work on tapestry with.  I have an older (but beautiful) tapestry loom that I bought over the internet, warped up, and now it sits there begging me to use it!  I have never woven a tapestry, so I've been afraid to start and "waste" my yarn, but I think I have the books several folks referred to, so I guess I'll go ahead and make my cartoon, and get started!  If I can figure out how to transfer photos from my phone to the blog, I'll post a picture once I get the cartoon finished.  Thanks, everyone, for getting me past my inertia!  Deborah

theresasc

It is fun to see so many people interested in this thread.  I did not realize that there are so many tapestry weavers here on Weavolution - cool!

 

Pick and pick this morning.  I find myself weaving into the the same shed over and over on the Tissart.  When I weave on my shaft looms, I try to set up my treadling sequence to follow the weft, such as throw from the right, use right treadle.  But with tapestry the weft is coming from both sides not in a set pattern, so I keep treadling wrong.  I am getting good at unweaving tapestry - LOL

Artistry

Thereasc, Unweaving, the story behind every successful tapestry artist, I think, well that's what I tell myself :) I love pick and pick ! I particularily like pick and pick combined with color gradations. Today was photoshopping for the new tapestry. It's going well, but is a slow process. Once this part is done, as I mentioned in a different post, I'll make a value sketch. Then I think I'll make a "to size painting "of what I want it to look like. I don't want it to look realistic to the photoshopped photo, that's really for composition.

sarahnopp (not verified)

Hi Cathie, I am curious about your design thingy with Photoshop. My next study group we have planned to discuss choosing designs, making designs, creating designs from photos, etc. I am a graphic designer, so my tendency is to trn on the computer and edit the heck out of photos. Can you point me in any directions for places/tips you have found helpful in your design process? Thanks :)

Artistry

Hi Sarahknopp, I have to attribute any thing I've learned about designing , from school( long time ago) the COE, but particularly , workshops from Kathe Todd-Hooker and Tommye Scanlin. I would jump at the chance of taking a designing class as the sole subject ! I can't point you to any books right now but I'll look at my library and see if there is anything good. There is nothing I use. However this is what I do. Recently started to learn photoshop.it helps me by: Importing a photo and cropping it. Erasing the remaining parts I don't want. For instance I cropped the mountains and and some glacier peacks were still in there. I could erase those. I could go back in and fill the empty space from the erased glacier with the color and texture of the mountains. Next I'll make a new layer of another photo of a glacier and place it on the first layer and tweak it. That's an example. For designing this is what I do: I work from photos, drawings, colored papered,magazine pictures( tat are to be abstracted) water colors, and now I'm going to try painting. I usually go through this process. Take 10 or so photos chosen by desired image shape or color and print them out.putting the desired color ones aside and only working with the shapes, Make a collage.( this is now being replaced by photoshop) if the shape is not big enough I draw it then add to collage. If you don't like to draw, just do a rough sketch. To the collage add a background, through colored papers, zen tangles, doodles,. It's not a bad idea to keep an idea file of backgrounds. When I have a collage I like , I make photocopies I in color, 1 in black and white. The black and white one keep beside you when you weave because it's a great value study and will help you choose yarns. If I like the photocopy in color then I print it, along with the photos of good colors out on photo paper, this I'll keep beside me when I weave. I take the collage, tape to table, put a piece of paper over it ,tape to table, and make a complete line drawing of all the nooks and crannies of the drawing in pencil. Then I go over it with a sharpie. This is like an engineer's drawing to refer to while weaving, if the cartoon gets obscure. Or I need more info. I mark strategic points on it important to the tapestry. Notes for structures, like pick and pick, all in pencil. Etc. The las thing I'm trying this time, is to make a life size painting. I saw Tommye do this for her "Stones" tapestry and it seemed like a really good idea to help to get to know nuance and to work out some of the color problems. Then the cartoon. I usually enlarge my engineer drawing for my cartoon. Just go to fedex or Staples or someplace like that. You might want to do it before you write on it, then you could have your writing be small :) So sitting next to me, is the collage photocopy, bk.& wh. Photocopy, desired colors, engineer drawing. Of course you don't have to stick to them ! I hope I haven't been too long winded, and that this is what you wanted:) Cathie

Artistry

If you have access to Russell's book " Tapestry Handbook The Next Generation" chapter 10, plus wonderful illustrations. Failed to mention for your study group Any kind of art class, or creativity class that frees them up.

theresasc

thanks for the design process information.  I feel like such a slacker when it comes to that part of the process.  I do not have an art background at all and I am not sure where to even begin sometimes.  I have ideas in my minds eye but have trouble getting them down on paper.

 

I am still weaving pick and pick.  Looking at the photos in Russell's book I really can see how knowing this technique better will really help when blending colors.  When I wove the tree tapestry I just used colors blended on the bobbins, never thought to use structure as well.  So this is a shout-out "Thanks" to Saranopp for getting me to sit down with this book and weave.

Artistry

Thereasc, You are welcome. One thing I do which a lot of artists do that's very helpful is to keep an artists journal. Something that you work in everyday. If you like to draw, draw something in the room, car keys, shoe. Several of these drawings have become tapestries for me. Start flipping thru magazines and start making collages in your book. Abstract water colors. It's really fun. Try out your ideas. Something that helped me was to take drawing classes. It doesn't have to take long, maybe 30 minutes. Just have fun and don't worry about your journal, no one sees it but you :) Cathie

theresasc

So I was weaving away on pick and pick and go to advance the warp and hear this bad ripping sound.  Tissart looms have 2 rods on the beams, one running through the canvas with slits cut in every couple of inches and one that you tie to.  Sure enough, the canvas tore along the rod where I had tied on.  The canvas is stapled to the actual beam and I did not want to take that off, so I took the entire beam off and my mom came over and she ran the sewing machine while I held onto the beam and we sewed a new hem pocket for the rod.  It was sort a blessing because I was having some tension issues anyway, but this was not the way I had wanted to address that!  Now to tie on again, and go back to weaving through Russell's book.

Artistry

Thereasc, Oh No! Thank goodness for Mom's who know how to sew right ? Glad you got it worked out! Cathie

sarahnopp (not verified)

Theresasc- Thank goodness for Mom! That had to have been a bad moment. Sheesh.

And thanks for the design process explanation Cathie. I have read through the design part of the Russell book a couple times now. I will be curious to hear what others in the study group bring to share about design. I think I will be bringing my computer to share ideas for simplify images and reducing the number of colors for ease of translation. 

pammersw

I'm just imagining holding the beam alongside the sewing machine, LOL!

Artistry

Sarahknopp I would love to hear about your Study group's discussion ! I'm always looking for new design ideas. Cathie

tommye scanlin

Lots of information that applies to designing for two-dimensional media, like drawing, painting, printmaking, photography, also is useful for designing for tapestry.  Whether one chooses to make images that are non-objective or those that are more tied to reality, design and composition tips from the other side of the art making world can be helpful.  
Two resources that might be interesting to explore online are the blog posts by Dianne Mize... link is here. And also the work of Steven Aimone, who has posted tutorials online in the past.  He also has written two very good books about composition, Design: A Lively Guide for Artists and Craftspeople, and Expressive Drawing: A Practical Guide to Freeing the Artist Within.

Tommye

Artistry

Tommye Thank you! You are so right to look at other disciplines and I often forget that ! I think a trip to the Art Museum is in order also, to look at how colors, lines and composition are used :) I am SOOOOOOO excited ! Looks like I'm getting a new to me Tapestry loom , a 6 ft. Shannock , in December ! I've been wanting one for a long time. I should have the Patagonia design all worked out by the time I pick it up, so I'll be good to go. So happy :) I'll be listing my LeClerc Gobelin in a couple of days.

theresasc

A new loom, how exciting!  And a six-footer, wow, that is huge.  My Cranbrook is a little over 5 feet and I think that is a monster.  Do you think that you will ever weave something that wide?  My Tissart is 45" and I do not know if I will ever go that wide with a tapestry.  I am really happy for you, a new loom is always so thrilling.

And yes, my mom saved the day yesterday:-)  I don't know how I would have managed that 45"+ beam and sew the pocket.  The loom is back together, tied up, and I am weaving shapes now.  Too fun.

Artistry

Thereasc, I doubt I'll weave something 6 feet wide, but you never know, especially if it were a piece that was wide but not tall. The kind of loom was far more important then the 6 feet, but I truthfully wouldn't want to go under 5 feet. That's what I have now. I could go on and on about it, I 'll post a pic when I get it early Dec.! Can hardly wait! Now I'm super motivated to get the Patagonia design done. Except I keep thinking of different ways of taking it! So I guess I'll be doing several designs, or partials to see how they go. Are you going to work all the way thru Russell's book or jump around?

theresasc

I am more or less following all the way through.  Somethings I have skipped but I really want to play with hatching and some of the things that go with that.  It is good for me to try to be disciplined enough to work my way through shapes first.  I am learning quite a bit and am becoming more comfortable with some of the techniques, which I guess is what this little trip is all about.

sarahnopp (not verified)

I haven't been able to do any tapestry since I first got it warped up. I am hoping for this week to open up for me, now that my work demands have changed suddenly. So thank you for continuing to post, it inspires. Even if the daily thing appears to be out of reach, at the moment. Once this quilt is finished I will have so much more time!

Artistry

No tap. Today, but tomorrow a 2 day weaving retreat , I 'm going to do tapestry. It 's really nice the place where we stay the room is open 24 hr. ( so is the coffee ) so I can go down and work anytime, especially if I have a crazy early morning. Goal: finally finish the Sunset sample.

theresasc

I was weaving on my Cranbrook, but I looked at my tapestry.  Does that count?  LOL

sarahnopp (not verified)

That moment when you look at your loom and realize you missed a warp thread on the last line of twining, necessitating unweaving just to fix, because now that you notice the error, it is all you can lookat LOL

Grateful I hadn't put much more on than the twining.

theresasc

I generally seem to notice things like that inches later.  It has always surprised me about how far along one can weave before seeing oops:-)

Still only looking at tapestry, side-tracked to another loom the last few days.

Walkingquail

much tapestry. I worked on some little mug rugs on my tap look in tapestry class yesterday. My teacher is retiring :-( so she has been reviewing techniques for us long term students and teaching them anew for the newbies. I incorporated some of the review into my little rugs. Mostly pick and pick and some triangles.

I am currently weaving brown toned towels for sale, many have brown granite countertops so sure to be appealing. I tied onto the old warp to save sitting at the back of my loom and I didnt have the success I had before doing this. Many tangles despite using lease sticks which I didn't use before. I think I'll go back to using the "ends crossed in fist" method I usually use which was way more successful. I stayed calm through beaming and only snapped one warp thread which was amazing. They say weaving requires patience, truth!

Walkingquail

red and white and turquoise   

Artistry

Finally got it done! put this on the project page but got the sides cropped so you have to click on the image to see the full thing. but here is the whole thing on this page. Whew, it took a long time, and it shouldn't have. a lot of ripping but i also didn't work on it everyday.

theresasc

Walkingquail - I really like your little rugs.  What a great way to try out colors and techniques.  I hear you regarding tieing onto an existing warp.  I have just not had good luck doing it.  I do not have the patience to tie all those blasted knots.

Cathie - great tapestry!  I love your use of color, it is so striking.

As for me, I have been looking at my tapestry loom as I weave on the Cranbrook:-)  The tapestry loom is right across the room from the big floor loom.

Walkingquail

tapestry, Cathie! The wispy clouds came out really well. And that is just your sample? I think tapestry is the slowest form of weaving but since it moves so slowly, I learned much about all weaving when I started learning how to do it.

Theresasc, yes, the knots for tying onto an old warp are time consuming but for me, less so than threading heddles. That position behind my loom on my stool kills my neck sometimes so it takes forever since I need to take many breaks. I have gotton really good at overhand knots! But I have to remember how I did it previously so I don't have tangles. I usually do it on towel warps only since the threads are so small and so many.

I woke at 5:30 this morning so I finished another mug rug. Have to figure a price. My prices are creeping up to enough to pay for yarn plus minimum wage for my time. When I am more experienced, ;-) i am going to charge even more!!

Artistry

Thanks again Thereasc and Walkingquail. This was to be a sample for a larger piece but now that I've been to Patagonia I'm so enamored with that place. So next tap. Will be Patagonia, I'm just going to do a big design for it, no small sample of the whole thing. I tie on too. I do a overhand knot, but once they'll all tied I take out both sets of lease sticks and then pull through the heddles. I'm all for you charging a fair price for your woven pieces! You can also add in the time designing:) Thereasc, just think what your Cranbrook and Tapestry loom talk about when you're not there:)

theresasc

that is a scary thought!  You will have to throw the 2 Kessenich floor looms into the conversation as well, they are all living up in the loft - LOL

Started on weaving a diamond today.  I think that Walkingquail has a great idea regarding weaving some small mats on the tapestry loom.  I might have enough warp on the loom to try that idea once I am doing working my way through Russell's book.  Maybe weaving 2 at a time, side by side since the warp is 9" wide.  hmmmm - always something:-)

 

theresasc

The diamond is almost finished.  Amazing how nice and balanced it looks when you follow instructions - LOL!  I have not been weaving everyday on the tapestry for the last week or so, other things happening, so life goes.  I am still enjoying working my way through Russell's book.  I can see how this is going to really going to help me down the road on other tapestries.  I am glad that I am taking the time to do this now rather than jumping into another project.

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