I just discovered the music of Jon Henrik Fjallgren -- a culturally Sami reindeer herder -- who sings with rhythm and without words -- great for setting up a weaving rhythm! I also like Navajo flute music, but a lot of it lacks the motivating rhythm....
hello all would very much like to learn this age old art. i am a very visual learning person. I have found many videos on what this is but no how to videos any help i can get in finding any videos on this would be of great help thanks all.
I'm mainly a weaver, but also spin cotton, wool and other fibers, knit, dye, wet felt, bead, and more.
For those interested and attending [Midwest Weavers Conference] in Indianapolis June 12/17 - I will be giving two half day sessions dealing with working on countermarche looms. [FM124 - Understanding the Countermarche for Intermediate Weavers] - on Friday morning, June 16 SM231 - [Intro to Countermarche Looms] - on Saturday morning, June 17 The Intermediate session is for weavers with some countermarche experience and will expand to include various versions of countermarche looms, tieup settings and other helpful tips to get the best fabric from your loom. There will be a loom present to test some of the steps involved in a hands on manner. The Introductory session is for weavers with no experience on a countermarche or weavers considering purchasing a loom or weavers unsure if to purchase a countermarche loom. Sara von Tresckow [The Woolgatherers] Fond du Lac, WI 54935 : http://www.midwestweavers.org/conference/index.asp : http://www.midwestweavers.org/conference/classdescription.asp?ClassType=... : http://www.midwestweavers.org/conference/classdescription.asp?ClassType=... : http://www.woolgatherers.com/
I'm a new member, and I'm hoping someone could help me with a project in which I'm considering using half satin blocks. I had started wanting to use a satin weave structure, but since the design entails two blocks, and my loom is 8-harness (for satin, 2 blocks require 10 harnesses), I'm looking at half-satin as an option. But I've never seen what it looks like and I'm completely unfamiliar with the weave. Can anyone help?
Denyse sold me her loom before Christmas, and my men finally got it into the house. After several days of reassembling and general maintenance, I cut off the existing web (badly damaged in the move) and began to restring the remaining warp. The reed is rusty, but I thought it would be equal to a "tutorial". Finally, finally made it to the point of weaving only to discover that I had no real tension. After many adjustments, I think I have it to the point that I can throw the shuttle and expect it to exit on the other end of the shed. I am using an old yarn that my mother donated, so the entire project is a gift.
Hour by hour, I feel that I am getting to know this well loved LeClerc Colonial 45 inch 4-harness loom, CL-78-12
I recently acquired a used 8 shaft Harrisville loom. While cleaning/checking it, 2 rawhide attachments that hold the shafts broke. They all look dry and worn out. Question:
can I replace (all of them, of course) with texsolv? And, if so, can I just tie them on or is there another, preferable way to attach them? Any other ideas on a fix? I'm new this website and really need a group who can help mentor me...especially with loom problems! thanks...DJ
I want to weave a project which has linen 28/2 for warp and 16/1 for tabby. Pattern weft is wool
can i change the linen with cotton and how thick cotton?
I don't have a stand and if I prop it on the end of a table and put the apron rod on my lap I cannot put the heddle in the up position as it falls off. If I leave it flat on the table I can't get a good shed in the down position. Anyone have a suggestion? Thanks for your help!
I bought a 56" used Macomber loom years ago. It is a 12 harness loom with dual back beam. I only have 10 harnesses and I am hoping to buy 2 additional harnesses. I have designed a rep weave rug and I need 12 harnesses to weave the design I drew up.
Does anyone have 2 used harnesses that they would like to sell?